Cast: Geoffrey Arend, Molly Bernard, Katya Campbell, Adam Harrington, Elia Monte-Brown, Genesis Oliver, Rachel Resheff & Kate Roberts

Scenic design: John McDermott
Lighting design: Grant Yeager
Costume design: Sydney Maresca
Sound design: Amy Altadonna
Props: Kate Lundell
Technical director: Derek Dickinson
Produced by Devon Berkshire.
Associate producer: Michaela Buccola
Stage Manager: Trisha Henson
Assistant stage managers: Rebecca Zoltowski & Edward Columbia

A smart, supremely funny contemporary comedy of manners, Everything is Ours explores a Post Gen-X state of alienation in the face of success. Thanks to their billion dollar internet idea, Sara and Mitchell have it all – disposable wealth, interns, each other. But when Elsie, a newly orphaned 10 year-old, lands on their doorstep– everything turns upside down as they figure out once and for all what is theirs and what is not.

Press

Everything is the latest offering of Colt Coeur, a bright young Brooklyn theater company known for off-center variations on mainstream staples…[a] solipsistic comedy-of-manners…the young cast members, especially Ms. [Rachel] Resheff, find the distinctive comic rhythms of self-centeredness.
— BEN BRANTLEY, THE NEW YORK TIMES
★★★★! Critic’s Pick! Wittily directed by Adrienne Campbell-Holt for the bold young company Colt Coeur, Everything is Ours begins in a mode of absurdist near-caricature but gradually grows softer and more lifelike… consistently funny.
— ADAM FELDMAN, TIME OUT NEW YORK
Terrific performances by Katya Campbell and Geoffrey Arend are invaluable…. brisk and entertaining … Life is bundled with surprises. Same goes for Beckwith’s fine play.
— JOE DZIEMIANOWICZ, DAILY NEWS
Everything Is Ours introduces us to a fresh, idiosyncratic new voice. Let’s hope Beckwith flies her freak flag again soon.by Adrienne Campbell-Holt for the tiny but excellent Colt Coeur company.”
— ELISABETH VINCENTELLI, NEW YORK POST
Everything is Ours” is an offbeat masterpiece—part farce and part coming-of-age drama. We don’t know whether to laugh or cry as Sara and Mitchell bumble toward meaning, unsure what this newfound purpose means for them as a couple. But we do know that we can’t stop watching.
— SARAH LUCIE, SHOW BUSINESS WEEKLY